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ARTMargins. — 2012. V. 1 no. 1

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage‑center‑for‑contemporary‑culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

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Armenia

Video art

Eastern Europe

Art history and art criticism

Political art

Soviet official art

Television

Archival theory

Turkey

Issue

Benezra Karen

Article author

Balteo-Yazbeck Alessandro

Wilson-Goldie Kaelen

Harutyunyan Angela

Azatyan Vardan

Farzin Media

Ehrenberg Felipe

Esanu Octavian

Gardner Anthony

Mentioned

Родился в Днепропетровске. Ведущий представитель московского концептуализма, создатель жанра тотальной инсталляции. Окончил отделение графики Московского государственного художественного института им. В. И. Сурикова (1951). После окончания вуза занимался иллюстрацией книг для издательств «Малыш» и «Детская литература». Со второй половины 1950‑х стал заниматься собственными художественными проектами. В 1988 году переехал в Нью‑Йорк, с 1989 года работал в соавторстве с женой Эмилией Кабаковой. Многократный участник крупных международных проектов в России и за рубежом: documenta IX (1993), Венецианской биеннале (1977 — Биеннале диссидентов; 1993 — павильон СНГ; 1988, 1997, 2001, 2003, 2007 — основной проект) и др.

Kabakov Ilya

Hirschhorn Thomas

ARTMargins is an online/print publication that publishes original texts about contemporary art and art‑related theory and philosophy from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia, with a focus on postsocialism and neo‑liberalism; postmodernism and postcolonialism and their critiques; and the problem of global art and global art history and its methodologies.

ARTMargins

ARTMargins. — 2012. V. 1 no. 1

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