On&nbsp;Saturday November 23 the 0+ Space will be&nbsp;closed.

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

Visitors in a wheelchair

garage-txt

Open storage

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Наборы почтовых открыток

Available on request

<h2>About the collection</h2>

Philosopher and cultural theorist Boris Groys has been active on the art scene since the 1970s. The archive gathered by him and his wife, journalist and photographer Natalya Nikitina, was transferred to the Research Centre for East European Studies (Forschungsstelle Osteuropa) at the University of Bremen in 2009. 

The core of the collection is formed by documents relating to Groys’ and Nikitina’s life and work, including manuscripts, articles, interviews, essays, materials related to the philosopher’s professional activities etc. In addition to this, the archive contains Groys’ extensive correspondence on art and philosophy: phenomenological correspondence with Tatyana Goricheva, dialogues with Ilya Kabakov, letters from Vitaly Komar and Alexander Melamid, Andrei Monastyrski, Pavel Pepperstein, Yury Senokosov, and Ivan Chuikov among others. 

The archive also contains a selection of published writings on conceptual art, a collection of photographs, including of various exhibitions, and publications and samizdat collections of works by Vladimir Aleynikov, Viktor Krivulin, Aleksandr Mironov, Lev Rubinstein, and other authors produced in the 1970s and 1980s (originals or photocopies), as well as issues of samizdat journals including Severnaya pochta, 37, and Rubezhi. 

<h2>About Boris Groys and Natalya Nikitina</h2>

Boris Groys (b. 1947, Berlin) is a philosopher, art historian and curator. He graduated from the Leningrad State University in Mathematics and Mechanics in 1971 and migrated to West Germany in 1981. He holds a PhD in Philosophy from University of Münster (1992) and has previously worked as professor at the Karlsruhe State College of Design (1994–2009), and invited lecturer (1996–1997) and director of the Academy of Fine Arts in Vienna (2001). He is currently professor of Russian and Slavic Studies at New York University. From 1977, he published works in samizdat journals Chasy, Obvodny kanal, 37, and others, as well as outside of the USSR. Groys was among the founders of the journal Beseda (1983) and is the author of over twenty books on Soviet and post‑Soviet cultural policies, and many works on the theory and practice of contemporary art. Since the 1990s, he has been curating exhibitions of Soviet official and underground art and Russian contemporary art. In 2011, he curated the exhibition Empty Zones. Andrei Monastyrski and Collective Actions at the Russian Pavilion at the 54th Venice Art Biennale. Groys received Andrei Bely Prize in 1978. He lives and works in the USA. 

Natatlya Nikitina (b. 1945, Moscow) is a philologist, journalist, and photographer, the wife of Boris Groys. She graduated in Literature from Lenin Moscow State Pedagogical Institute in 1969 and in 1981 moved to West Germany where she worked at Deutsche Welle radio. She has been gathering a photographic archive of Russian art since 1987. She has been based in the USA since 2009. 

Documents from the archive are currently being processed.

About the collection

Philosopher and cultural theorist Boris Groys has been active on the art scene since the 1970s. The archive gathered by him and his wife, journalist and photographer Natalya Nikitina, was transferred to the Research Centre for East European Studies (Forschungsstelle Osteuropa) at the University of Bremen in 2009. 

The core of the collection is formed by documents relating to Groys’ and Nikitina’s life and work, including manuscripts, articles, interviews, essays, materials related to the philosopher’s professional activities etc. In addition to this, the archive contains Groys’ extensive correspondence on art and philosophy: phenomenological correspondence with Tatyana Goricheva, dialogues with Ilya Kabakov, letters from Vitaly Komar and Alexander Melamid, Andrei Monastyrski, Pavel Pepperstein, Yury Senokosov, and Ivan Chuikov among others. 

The archive also contains a selection of published writings on conceptual art, a collection of photographs, including of various exhibitions, and publications and samizdat collections of works by Vladimir Aleynikov, Viktor Krivulin, Aleksandr Mironov, Lev Rubinstein, and other authors produced in the 1970s and 1980s (originals or photocopies), as well as issues of samizdat journals including Severnaya pochta, 37, and Rubezhi. 

About Boris Groys and Natalya Nikitina

Boris Groys (b. 1947, Berlin) is a philosopher, art historian and curator. He graduated from the Leningrad State University in Mathematics and Mechanics in 1971 and migrated to West Germany in 1981. He holds a PhD in Philosophy from University of Münster (1992) and has previously worked as professor at the Karlsruhe State College of Design (1994–2009), and invited lecturer (1996–1997) and director of the Academy of Fine Arts in Vienna (2001). He is currently professor of Russian and Slavic Studies at New York University. From 1977, he published works in samizdat journals Chasy, Obvodny kanal, 37, and others, as well as outside of the USSR. Groys was among the founders of the journal Beseda (1983) and is the author of over twenty books on Soviet and post‑Soviet cultural policies, and many works on the theory and practice of contemporary art. Since the 1990s, he has been curating exhibitions of Soviet official and underground art and Russian contemporary art. In 2011, he curated the exhibition Empty Zones. Andrei Monastyrski and Collective Actions at the Russian Pavilion at the 54th Venice Art Biennale. Groys received Andrei Bely Prize in 1978. He lives and works in the USA. 

Natatlya Nikitina (b. 1945, Moscow) is a philologist, journalist, and photographer, the wife of Boris Groys. She graduated in Literature from Lenin Moscow State Pedagogical Institute in 1969 and in 1981 moved to West Germany where she worked at Deutsche Welle radio. She has been gathering a photographic archive of Russian art since 1987. She has been based in the USA since 2009. 

Documents from the archive are currently being processed.

Boris Groys and Natalya Nikitina archive

German

Bremen, The Research Centre for East European Studies

Contact&nbsp;Us

Hours

GARAGE Card

Today at Garage

Youtube

Telegram

Mailing list

Subscribe to our mailing list and get the latest news from Garage

Press Mailing List

To join our press mailing list, please include your email address in the field

Toward the Source

An international online platform, initiated by Garage Museum of Contemporary Art, bringing together archives on Russian art from the postwar period to the present.

Russian Art Archive Network

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Andro Wekua. Dolphin in the Fountain

The Other Trans-Atlantic

Discounts in Garage Café and the shops in the Museum and the Narkomfin Building, special tour offers, and access to the communal block of the Narkomfin Building

GARAGE card

key:subscription

Film screenings in the Museum auditorium

GARAGE SCREEN

The first public contemporary art library in Russia

Library

The collection created by the brand .solutions includes oversize cotton shirts and roomy bags made of waxed canvas

Garage х .solutions

Garage Museum of Contemporary Art’s collection was founded in 2024 and includes paintings, drawings, sculpture, video, objects, and installations created by Russian artists since 1980

Collection

A collection of jewelry by Garage Museum of Contemporary Art and the jewelry brand Mineral Weather

Narkomfin × Mineral Weather

Garage Collection of&nbsp;Russian Art from 1980 to&nbsp;the 2020s

Open Storage. A Prologue

Sound poetry, an ambient soundscape, and an audio essay on memory in the new season of Station Radio

STATION RADIO. SEASON 05

Наборы почтовых открыток

Details