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Сусанин. — 2002

Available on request

Artist and art historian Andrei Khlobystin collected archival documents relating to the art scene in St. Petersburg over several decades. In 2000, part of his collection became the core of the St. Petersburg Archive and Library of Independent Art at the Museum of Nonconformist Art at Pushkinskaya 10. The remainder was transferred to Garage Archive in St. Petersburg.


The Andrei Khlobystin archive contains documents on the history of Leningrad and St. Petersburg art from the 1980s to the 2000s, including a large collection of photographs of artists, exhibitions, and bohemian life, posters, leaflets, invitations, and other ephemera that allows us to reconstruct the history of the city’s cultural events, including its famous dance nights.


A section of the archive is devoted to the New Artists and the New Academy of Fine Arts, and features Timur Novikov’s manuscripts, artefacts related to the work of Georgy Guryanov and Vladislav Mamyshev-Monroe, self-published catalogues and posters, Vadim Ovchinnikov’s mail art, documents about the NCH/VCH Club and more. The archive also contains materials on the institutions created to provide a platform for and promote new art (Leningrad Art Historians’ Club, City Institute of Art and Culture) and documents on specific exhibitions and events.

It contains a large number of manuscripts by Alla Mitrofanova, Viktor and Margarita Tupitsyn, Timur Novikov, Boris Koshelokhov, Andrei Khlobystin, and others. Along with writing on art theory the archive includes a selection of journal and newspaper articles on art events in Leningrad and St. Petersburg.


The archive also contains artists’ books and handmade catalogues, samizdat publications, underground periodicals like Susanin, Khudozhestvennaya volya and Mitin zhurnal, and limited-edition catalogues of artists including Vladislav Mamyshev-Monroe and Irina Waldron. Many publications and catalogues from Andrei Khlobystin’s collection are now available at Garage Library in St. Petersburg.


<h2>Andrei Khlobystin</h2> (b. 1961, Leningrad) is an artist and art historian based in St. Petersburg. After graduating in Art History from Zhdanov Leningrad State University in 1983, he managed the Lower Park Palaces at Peterhof, and worked as a registrar at the Hermitage Museum’s Research Library and the Diaghilev Museum of Modern Art of St. Petersburg State University. He has taught at Herzen State Pedagogical University of Russia, Russian Christian Academy for the Humanities, and St. Petersburg State University. He was among the founders of the Leningrad Art Historians’ Club in 1985, collaborated with the New Artists from the early the 1980s, and became the Secretary of The New Academy of Fine Arts in 1995. He published the journals Khudozhestvennaya volya and Geniy and the newspaper Susanin (www.susanin.zarazum.ru).


In 2000, he founded St. Petersburg Archive and Library of Independent Art at Pushkinskaya 10, and in 2008 the St. Petersburg Video Archive. He has published texts in samizdat and is the editor of the reference book Neofitsialnaya Stolitsa (2000) and the author of Shizorevolyutsiya. Ocherki peterburgskoi kultury vtoroi poloviny XX veka [Schizorevolution. Essays on St. Petersburg Culture of the Second Half of the 20th Century, 2017].


Artist and art historian Andrei Khlobystin collected archival documents relating to the art scene in St. Petersburg over several decades. In 2000, part of his collection became the core of the St. Petersburg Archive and Library of Independent Art at the Museum of Nonconformist Art at Pushkinskaya 10. The remainder was transferred to Garage Archive in St. Petersburg.


The Andrei Khlobystin archive contains documents on the history of Leningrad and St. Petersburg art from the 1980s to the 2000s, including a large collection of photographs of artists, exhibitions, and bohemian life, posters, leaflets, invitations, and other ephemera that allows us to reconstruct the history of the city’s cultural events, including its famous dance nights.


A section of the archive is devoted to the New Artists and the New Academy of Fine Arts, and features Timur Novikov’s manuscripts, artefacts related to the work of Georgy Guryanov and Vladislav Mamyshev-Monroe, self-published catalogues and posters, Vadim Ovchinnikov’s mail art, documents about the NCH/VCH Club and more. The archive also contains materials on the institutions created to provide a platform for and promote new art (Leningrad Art Historians’ Club, City Institute of Art and Culture) and documents on specific exhibitions and events.

It contains a large number of manuscripts by Alla Mitrofanova, Viktor and Margarita Tupitsyn, Timur Novikov, Boris Koshelokhov, Andrei Khlobystin, and others. Along with writing on art theory the archive includes a selection of journal and newspaper articles on art events in Leningrad and St. Petersburg.


The archive also contains artists’ books and handmade catalogues, samizdat publications, underground periodicals like Susanin, Khudozhestvennaya volya and Mitin zhurnal, and limited-edition catalogues of artists including Vladislav Mamyshev-Monroe and Irina Waldron. Many publications and catalogues from Andrei Khlobystin’s collection are now available at Garage Library in St. Petersburg.


Andrei Khlobystin (b. 1961, Leningrad) is an artist and art historian based in St. Petersburg. After graduating in Art History from Zhdanov Leningrad State University in 1983, he managed the Lower Park Palaces at Peterhof, and worked as a registrar at the Hermitage Museum’s Research Library and the Diaghilev Museum of Modern Art of St. Petersburg State University. He has taught at Herzen State Pedagogical University of Russia, Russian Christian Academy for the Humanities, and St. Petersburg State University. He was among the founders of the Leningrad Art Historians’ Club in 1985, collaborated with the New Artists from the early the 1980s, and became the Secretary of The New Academy of Fine Arts in 1995. He published the journals Khudozhestvennaya volya and Geniy and the newspaper Susanin (www.susanin.zarazum.ru).


In 2000, he founded St. Petersburg Archive and Library of Independent Art at Pushkinskaya 10, and in 2008 the St. Petersburg Video Archive. He has published texts in samizdat and is the editor of the reference book Neofitsialnaya Stolitsa (2000) and the author of Shizorevolyutsiya. Ocherki peterburgskoi kultury vtoroi poloviny XX veka [Schizorevolution. Essays on St. Petersburg Culture of the Second Half of the 20th Century, 2017].

Andrei Khlobystin archive

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L33922_002.jpg

2000s

Criticism

Moscow Actionism

Poetry

Art‑related socializing

Matveeva Anna

Author of text

Kotelnikov Oleg

Novikov Timur

Mentioned

Dyogot Ekaterina

Koldobskaya Marina

Aktuganova Irina

Sergei Shutov was born in 1955 in Potsdam. He was a member of the City Committee of Graphic Artists (Moscow) from 1978. He worked on the film Assa (1987) and took part in concerts by the band Pop‑Mekhanika. He founded the Institute of Art Technology (Moscow, 1992), ran practical sessions at Moscow Artistic Laboratory of New Media (Moscow, 1994), and was a VJ at the club Ptyuch (Moscow). He exhibited in the Russian Pavilion at the 49th Venice Biennale (2011).

Shutov Sergei

Bourgeois Louise

Guryanov Georgy

Brener Alexander

Издание «Неполного собрания сочинений И.О.Сусанина» в Петербургском Архиве и Библиотеке Независимого Искусства (ПАиБНИ) при Культурном Центре «Пушкинская-10» приурочено к грядущему юбилею: в 2003 году, когда весь мир будет праздновать трехсотлетие основания Санкт-Петербурга, исполнится 390 лет бессмертному подвигу И.О.Сусанина.

В основу «Неполного собрания сочинений» ложатся редкие, чудом сохранившиеся издания самого популярного путеводителя по современной культуре рубежа тысячелетий — «Сусанин-2003», выходящего под лозунгом «Заразум!». «Сусанин» был и остается самым массовым (тираж до 175000), и доступным медиальным изданием, подметным письмом, передаваемым из рук в руки. Существует он и в сетях диковинных шкатулок японских. Своей крайней независимостью, оптимизмом, соленым словцом и художественно-классовым чутьем «Сусанин» заслужил любовь угнетенных художественных масс, стонущих под ярмом международных художественных фондов и их холуев — кураторов. Простые художники в своих незамысловатых перформансах и наивных инсталляциях верны заветам Сусанина, уводя недругов прочь от заезженных большаков заумного барского дискурса в дремучие чащи бесстыжей русской натуры.
Издание представлено на фоне мемориальной экспозиции, посвященной патриотической и творческой деятельности И.О.Сусанина за минувшие четыре столетия. В экспозиции представлены личные вещи, материальные остатки и продукты жизнедеятельности великого патриота и критика. В основу экспозиции находятся критические и публицистические сочинения Сусанина.

Принятые сокращения 
АПЧХИ — Ассоциация поддержания чрезвычайных художественных инициатив
ПУК — Петербургский уничерситет культуры

Сусанин. — 2002

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