7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Visitors in a wheelchair

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Сусанин. — № 9

Available on request

Artist and art historian Andrei Khlobystin collected archival documents relating to the art scene in St. Petersburg over several decades. In 2000, part of his collection became the core of the St. Petersburg Archive and Library of Independent Art at the Museum of Nonconformist Art at Pushkinskaya 10. The remainder was transferred to Garage Archive in St. Petersburg.


The Andrei Khlobystin archive contains documents on the history of Leningrad and St. Petersburg art from the 1980s to the 2000s, including a large collection of photographs of artists, exhibitions, and bohemian life, posters, leaflets, invitations, and other ephemera that allows us to reconstruct the history of the city’s cultural events, including its famous dance nights.


A section of the archive is devoted to the New Artists and the New Academy of Fine Arts, and features Timur Novikov’s manuscripts, artefacts related to the work of Georgy Guryanov and Vladislav Mamyshev-Monroe, self-published catalogues and posters, Vadim Ovchinnikov’s mail art, documents about the NCH/VCH Club and more. The archive also contains materials on the institutions created to provide a platform for and promote new art (Leningrad Art Historians’ Club, City Institute of Art and Culture) and documents on specific exhibitions and events.

It contains a large number of manuscripts by Alla Mitrofanova, Viktor and Margarita Tupitsyn, Timur Novikov, Boris Koshelokhov, Andrei Khlobystin, and others. Along with writing on art theory the archive includes a selection of journal and newspaper articles on art events in Leningrad and St. Petersburg.


The archive also contains artists’ books and handmade catalogues, samizdat publications, underground periodicals like Susanin, Khudozhestvennaya volya and Mitin zhurnal, and limited-edition catalogues of artists including Vladislav Mamyshev-Monroe and Irina Waldron. Many publications and catalogues from Andrei Khlobystin’s collection are now available at Garage Library in St. Petersburg.


<h2>Andrei Khlobystin</h2> (b. 1961, Leningrad) is an artist and art historian based in St. Petersburg. After graduating in Art History from Zhdanov Leningrad State University in 1983, he managed the Lower Park Palaces at Peterhof, and worked as a registrar at the Hermitage Museum’s Research Library and the Diaghilev Museum of Modern Art of St. Petersburg State University. He has taught at Herzen State Pedagogical University of Russia, Russian Christian Academy for the Humanities, and St. Petersburg State University. He was among the founders of the Leningrad Art Historians’ Club in 1985, collaborated with the New Artists from the early the 1980s, and became the Secretary of The New Academy of Fine Arts in 1995. He published the journals Khudozhestvennaya volya and Geniy and the newspaper Susanin (www.susanin.zarazum.ru).


In 2000, he founded St. Petersburg Archive and Library of Independent Art at Pushkinskaya 10, and in 2008 the St. Petersburg Video Archive. He has published texts in samizdat and is the editor of the reference book Neofitsialnaya Stolitsa (2000) and the author of Shizorevolyutsiya. Ocherki peterburgskoi kultury vtoroi poloviny XX veka [Schizorevolution. Essays on St. Petersburg Culture of the Second Half of the 20th Century, 2017].


Artist and art historian Andrei Khlobystin collected archival documents relating to the art scene in St. Petersburg over several decades. In 2000, part of his collection became the core of the St. Petersburg Archive and Library of Independent Art at the Museum of Nonconformist Art at Pushkinskaya 10. The remainder was transferred to Garage Archive in St. Petersburg.


The Andrei Khlobystin archive contains documents on the history of Leningrad and St. Petersburg art from the 1980s to the 2000s, including a large collection of photographs of artists, exhibitions, and bohemian life, posters, leaflets, invitations, and other ephemera that allows us to reconstruct the history of the city’s cultural events, including its famous dance nights.


A section of the archive is devoted to the New Artists and the New Academy of Fine Arts, and features Timur Novikov’s manuscripts, artefacts related to the work of Georgy Guryanov and Vladislav Mamyshev-Monroe, self-published catalogues and posters, Vadim Ovchinnikov’s mail art, documents about the NCH/VCH Club and more. The archive also contains materials on the institutions created to provide a platform for and promote new art (Leningrad Art Historians’ Club, City Institute of Art and Culture) and documents on specific exhibitions and events.

It contains a large number of manuscripts by Alla Mitrofanova, Viktor and Margarita Tupitsyn, Timur Novikov, Boris Koshelokhov, Andrei Khlobystin, and others. Along with writing on art theory the archive includes a selection of journal and newspaper articles on art events in Leningrad and St. Petersburg.


The archive also contains artists’ books and handmade catalogues, samizdat publications, underground periodicals like Susanin, Khudozhestvennaya volya and Mitin zhurnal, and limited-edition catalogues of artists including Vladislav Mamyshev-Monroe and Irina Waldron. Many publications and catalogues from Andrei Khlobystin’s collection are now available at Garage Library in St. Petersburg.


Andrei Khlobystin (b. 1961, Leningrad) is an artist and art historian based in St. Petersburg. After graduating in Art History from Zhdanov Leningrad State University in 1983, he managed the Lower Park Palaces at Peterhof, and worked as a registrar at the Hermitage Museum’s Research Library and the Diaghilev Museum of Modern Art of St. Petersburg State University. He has taught at Herzen State Pedagogical University of Russia, Russian Christian Academy for the Humanities, and St. Petersburg State University. He was among the founders of the Leningrad Art Historians’ Club in 1985, collaborated with the New Artists from the early the 1980s, and became the Secretary of The New Academy of Fine Arts in 1995. He published the journals Khudozhestvennaya volya and Geniy and the newspaper Susanin (www.susanin.zarazum.ru).


In 2000, he founded St. Petersburg Archive and Library of Independent Art at Pushkinskaya 10, and in 2008 the St. Petersburg Video Archive. He has published texts in samizdat and is the editor of the reference book Neofitsialnaya Stolitsa (2000) and the author of Shizorevolyutsiya. Ocherki peterburgskoi kultury vtoroi poloviny XX veka [Schizorevolution. Essays on St. Petersburg Culture of the Second Half of the 20th Century, 2017].

Andrei Khlobystin archive

L33918_001.jpg

L33918_002.jpg

2000s

Gazanevskaya movement

Curatorial practices

Art‑related socializing

Cyberfeminism

Factory of Found Clothes

Mentioned

Mamyshev‑Monroe Vladislav

Golynko‑Volfson Dmitry

Dyogot Ekaterina

Kononikhin Nikolai

Borovsky Alexander

Khlobystin Andrei

Novikov Timur

Koshelokhov Boris (Bob)

Cherkasov Valery

Andreeva Ekaterina

Pilikin Dmitry

Matveeva Anna

Издание «Неполного собрания сочинений И.О.Сусанина» в Петербургском Архиве и Библиотеке Независимого Искусства (ПАиБНИ) при Культурном Центре «Пушкинская-10» приурочено к грядущему юбилею: в 2003 году, когда весь мир будет праздновать трехсотлетие основания Санкт-Петербурга, исполнится 390 лет бессмертному подвигу И.О.Сусанина.

В основу «Неполного собрания сочинений» ложатся редкие, чудом сохранившиеся издания самого популярного путеводителя по современной культуре рубежа тысячелетий — «Сусанин-2003», выходящего под лозунгом «Заразум!». «Сусанин» был и остается самым массовым (тираж до 175000), и доступным медиальным изданием, подметным письмом, передаваемым из рук в руки. Существует он и в сетях диковинных шкатулок японских. Своей крайней независимостью, оптимизмом, соленым словцом и художественно-классовым чутьем «Сусанин» заслужил любовь угнетенных художественных масс, стонущих под ярмом международных художественных фондов и их холуев — кураторов. Простые художники в своих незамысловатых перформансах и наивных инсталляциях верны заветам Сусанина, уводя недругов прочь от заезженных большаков заумного барского дискурса в дремучие чащи бесстыжей русской натуры.
Издание представлено на фоне мемориальной экспозиции, посвященной патриотической и творческой деятельности И.О.Сусанина за минувшие четыре столетия. В экспозиции представлены личные вещи, материальные остатки и продукты жизнедеятельности великого патриота и критика. В основу экспозиции находятся критические и публицистические сочинения Сусанина.

Принятые сокращения 
АПЧХИ — Ассоциация поддержания чрезвычайных художественных инициатив
ПУК — Петербургский уничерситет культуры

Сусанин. — № 9

Details