<p class="p1">Due to building work Garage Shop is temporarily located in the Lab space. Garage Caf&eacute; is operating only in the zone by the windows.</p>
<p class="p1"><span class="s1">The Library will be closed March 11&ndash;16.</span>&nbsp;</p>
<p class="p1"><span class="s1">On March 10 and 11 Garage Caf&eacute; and Shop are closed. Online shop orders will be available for collection from March 12.</span></p>

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Garage Screen

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects <i>Oral History</i> and <i>Oral History 2.0</i>

Visitors in a wheelchair

garage-txt

Open storage

Research Laboratory: I Am a Parcel, You Are a Stamp

VOKS kinema Research Laboratory

Avant-Garde Center Laboratory for the Study of Soviet Art Series

LISI_TsA

Region reviews

Artist reviews

Thematic reviews

Exhibition reviews

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

Exhibition catalogues

Research

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book Selection

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Красный 100%. — 2004, № 4 (12)

Available on request

<h2>Sergey Chubraev archive</h2>
<p>The archive contains materials on the life and work of Sergey Kuryokhin, collected by jazz, rock, and experimental music connoisseur Sergey Chubraev from 2003 to 2017.</p>
<p>Sergey Kuryokhin was among the key figures of the new Leningrad musical and art scenes that emerged in the late Soviet era and drew international attention during perestroika. Kuryokhin was a composer, experimented with keyboards, made mockumentaries, organized and directed concerts and performances by the band Pop‑Mekhanika, and was involved in politics. The archive contains documents on his numerous projects and offers insight into the interactions between various groups, communities, and social circles in the 1980s and 1990s.</p>
<p>The archive began with a collection of video recordings of concerts, rehearsals, and TV shows and grew to include over 100 documentary videos, feature films scored by Kuryokhin (Mister Designer by Oleg Teptsov, Buster’s Bedroom by Rebecca Horn, and The Castle by Aleksei Balabanov, among other works) and movies and documentaries that feature him as an actor. The archive contains Chubraev’s video interviews with poet and writer Arkadii Dragomoshchenko, musicians Boris Grebenshchikov, Sergey Letov, Vladimir Volkov, and Oleg Karavaichuk, Kuryokhin’s first producer Leo Feigin, artists Vladislav Gavrilchik, Oleg Kotelnikov, Evgeny Yufit, German Vinogradov and Sergei Anufriev, directors Sergey Debizhev and Sergei Solovyov, and others. Also included in the archive are audio interviews recorded by Alexander Kushner as he was working on his book Sergey Kuryokhin: Bezumnaya mekhanika russkogo roka [Sergey Kuryokhin: The Mad Mechanics of Russian Rock].</p>
<p>The archive also includes letters and manuscripts by Sergey Kuryokhin; a collection of his records, posters, flyers, booklets and concert programs; as a selection of press clippings from the 1980s and 1990s; and photographs of apartment meetings and Pop‑Mekhanika performances. There is also a record player that belonged to Kuryokhin and musical instruments Pop‑Mekhanika played: Alexander “Fagot” Alexandrov’s saxophone and mbira, Sergey Letov’s flute, and Nikolai Olshevsky’s trombone.</p>
<h2>About the collector</h2>
<p>Sergey Chubraev (b. 1972) is a curator and producer of TV shows, documentary and feature films based in St. Petersburg. Items from his archive have been featured in the exhibitions ASSA. The Last Generation of the Leningrad Avant‑Garde (Research Museum of the Russian Academy of Art, St. Petersburg, 2013), Austere Style GG (Formula Gallery, St. Petersburg, 2014), Archive M (Moscow Museum of Modern Art, 2015), and OblichyA (Sheremetev Palace Museum of Music, St. Petersburg, 2016).</p>
<h2>About Sergey Kuryokhin</h2>
<p>Sergey Kuryokhin (1954–1996) was a musician, composer, and scriptwriter, and leader of the band Pop‑Mekhanika. In the 1970s, he played keyboard in the bands Bolshoi Zhelezny Kolokol, Golfstrim, and Anatoly Vapirov’s Jazz Ensemble. In 1981, he released his first solo record, The Ways of Freedom, with Leo Records (UK). In the 1980s, he collaborated with bands like Aquarium, Kino, and Alisa and started writing music for film. From 1984 to 1996, he organized Pop‑Mekhanika performances in Leningrad/St. Petersburg, Moscow, Stockholm, Liverpool, Nantes, Helsinki, and other cities. The band collaborated with Boris Grebenshchikov, Igor Butman, Yegor and Sergey Letov, Timur Novikov, Viktor Tsoi, Sergei Bugaev (Afrika), Oleg Garkusha, and Yuri Tsirkul. </p>

Sergey Chubraev archive
The archive contains materials on the life and work of Sergey Kuryokhin, collected by jazz, rock, and experimental music connoisseur Sergey Chubraev from 2003 to 2017.
Sergey Kuryokhin was among the key figures of the new Leningrad musical and art scenes that emerged in the late Soviet era and drew international attention during perestroika. Kuryokhin was a composer, experimented with keyboards, made mockumentaries, organized and directed concerts and performances by the band Pop‑Mekhanika, and was involved in politics. The archive contains documents on his numerous projects and offers insight into the interactions between various groups, communities, and social circles in the 1980s and 1990s.
The archive began with a collection of video recordings of concerts, rehearsals, and TV shows and grew to include over 100 documentary videos, feature films scored by Kuryokhin (Mister Designer by Oleg Teptsov, Buster’s Bedroom by Rebecca Horn, and The Castle by Aleksei Balabanov, among other works) and movies and documentaries that feature him as an actor. The archive contains Chubraev’s video interviews with poet and writer Arkadii Dragomoshchenko, musicians Boris Grebenshchikov, Sergey Letov, Vladimir Volkov, and Oleg Karavaichuk, Kuryokhin’s first producer Leo Feigin, artists Vladislav Gavrilchik, Oleg Kotelnikov, Evgeny Yufit, German Vinogradov and Sergei Anufriev, directors Sergey Debizhev and Sergei Solovyov, and others. Also included in the archive are audio interviews recorded by Alexander Kushner as he was working on his book Sergey Kuryokhin: Bezumnaya mekhanika russkogo roka [Sergey Kuryokhin: The Mad Mechanics of Russian Rock].
The archive also includes letters and manuscripts by Sergey Kuryokhin; a collection of his records, posters, flyers, booklets and concert programs; as a selection of press clippings from the 1980s and 1990s; and photographs of apartment meetings and Pop‑Mekhanika performances. There is also a record player that belonged to Kuryokhin and musical instruments Pop‑Mekhanika played: Alexander “Fagot” Alexandrov’s saxophone and mbira, Sergey Letov’s flute, and Nikolai Olshevsky’s trombone.
About the collector
Sergey Chubraev (b. 1972) is a curator and producer of TV shows, documentary and feature films based in St. Petersburg. Items from his archive have been featured in the exhibitions ASSA. The Last Generation of the Leningrad Avant‑Garde (Research Museum of the Russian Academy of Art, St. Petersburg, 2013), Austere Style GG (Formula Gallery, St. Petersburg, 2014), Archive M (Moscow Museum of Modern Art, 2015), and OblichyA (Sheremetev Palace Museum of Music, St. Petersburg, 2016).
About Sergey Kuryokhin
Sergey Kuryokhin (1954–1996) was a musician, composer, and scriptwriter, and leader of the band Pop‑Mekhanika. In the 1970s, he played keyboard in the bands Bolshoi Zhelezny Kolokol, Golfstrim, and Anatoly Vapirov’s Jazz Ensemble. In 1981, he released his first solo record, The Ways of Freedom, with Leo Records (UK). In the 1980s, he collaborated with bands like Aquarium, Kino, and Alisa and started writing music for film. From 1984 to 1996, he organized Pop‑Mekhanika performances in Leningrad/St. Petersburg, Moscow, Stockholm, Liverpool, Nantes, Helsinki, and other cities. The band collaborated with Boris Grebenshchikov, Igor Butman, Yegor and Sergey Letov, Timur Novikov, Viktor Tsoi, Sergei Bugaev (Afrika), Oleg Garkusha, and Yuri Tsirkul. 

Sergey Chubraev archive

Тувинско‑австрийские звёзды и азербайджанский рок

Красный 100%. — 2004, № 4 (12)

Details