On&nbsp;March 10 and 11 Garage Caf&eacute; and Shop are closed. Online shop orders will be&nbsp;available for collection from March 12.
The Library will be&nbsp;closed March 11&ndash;16.
On&nbsp;March 12 the 0+ Space will be&nbsp;closed 18:30&ndash;20:30.

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The Library will be closed March 11&ndash;16.

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frieze. — 2018. no. 194

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage‑center‑for‑contemporary‑culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

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frieze

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The first public contemporary art library in Russia

Library

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Lessons in World Artistic Culture Podcast

The collection created by the brand .solutions includes oversize cotton shirts and roomy bags made of waxed canvas

Garage х .solutions

Garage Museum of Contemporary Art’s collection was founded in 2024 and includes paintings, drawings, sculpture, video, objects, and installations created by Russian artists since 1980

Collection

frieze. — 2018. no. 194

Details