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Artforum International. — 1973. V. XII no. 1

Open stacks

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

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Международный журнал художественной критики, сосредоточенный на проблемах современного искусства. Выходит в количестве 10 номеров в год. Главный редактор (с 2003 года) — Тим Гриффин.
Был основан в 1962 году в Сан‑Франциско, в 1965 перебрался в Лос‑Анджелес, в 1967 — в Нью‑Йорк, где и выпускается до нынешнего дня.

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Moscow, Garage Archive Collection

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The collection created by the brand .solutions includes oversize cotton shirts and roomy bags made of waxed canvas

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Garage Museum of Contemporary Art’s collection was founded in 2024 and includes paintings, drawings, sculpture, video, objects, and installations created by Russian artists since 1980

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A collection of jewelry by Garage Museum of Contemporary Art and the jewelry brand Mineral Weather

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Artforum International. — 1973. V. XII no. 1

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