Pictorial Nominalism. On Marcel Duchamp's Passage from Painting to the Readymade
Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, “No more painting, get a job,” Thierry de Duve reviews in Pictorial Nominalism the implications of the readymade for art and representation. Arguing that the readymade belongs to that moment in the history of painting when both figuration and the practice of painting become “impossible,” de Duve presents a psychoanalytically informed account of the birth of abstraction.Differing considerably from such thinkers as Clement Greenberg and Peter Burger, de Duve demonstrates that the readymade is the link between painting in particular and art at large.
Details
Storage location
Authors
Other authors
Type
Place of publication
Minneapolis, Minnesota
Publisher
Year
1991
Number of pages
222 pages
ISBN
0816615659
Open stacks or available on request
Available on request
Illustrations
Yes
Bibliography
No
UDC code and author sign
709.201 Duc
Volumes
1
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