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Figure emblematique de la peinture moderne, le peintre russe Kazimir Malewicz (1879–1935) est le createur revolutionnaire du Suprematisme, dont le Carre noir (1915) reste l'ouvre emblematique. Au terme d'une evolution fulgurante, il proclama en 1919 la fin de la pratique picturale.

Kazimir Malewicz: Le Peintre Absolu. Volume 2

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

mal2.jpg

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Kazimir Malewicz: Le Peintre Absolu. Volume 2

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