On&nbsp;Saturday November 23 the 0+ Space will be&nbsp;closed.

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Издание представляет собой первую публикацию дневников известного русского и советского художника Евгения Евгеньевича Лансере. В первую книгу вошли дневниковые записи юношеского периода — учёба в Петербурге и Париже, а также более поздние — о Первой мировой войне, жизни и работе в Тифлисе.

Дневники. Книга первая. Воспитание чувств

Available on request

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

ланс2.jpg

Autobiography

Memoirs

Diary

20th‑century history

Lanceray Yevgeny

Author

Бялик Валентина

Compiling Editor

Preface

Moscow

Искусство — XXI век

Записки художника

Moscow, Garage Archive Collection

Russian artists of the first half of the 20th century

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An international online platform, initiated by Garage Museum of Contemporary Art, bringing together archives on Russian art from the postwar period to the present.

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If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Andro Wekua. Dolphin in the Fountain

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Дневники. Книга первая. Воспитание чувств

Details