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Художественный журнал. — 1996, № 10

Available on request

Leonid Talochkin began to assemble his archive in the early 1960s. It contains several thousand documents, including his personal notebooks and diaries with detailed accounts of contemporary art events in Moscow; manuscripts by underground writers, poets (Genrikh Sapgir, Yuri Mamleev), and artists (Oskar Rabin, Evgeny Kropivnitsky); and correspondence with émigré artists (Mikhail Chernyshov, Vitaly Komar and Alexander Melamid), international specialists in Slavic cultures (Jindřich Chalupecký, John Bowlt), collectors, and representatives of Russian and foreign museums and art institutions. From the 1960s through the 1990s, Talochkin also collected hundreds of photographs, exhibition invitations (including some rare handwritten ones), booklets, postcards, slides, and images of works that are now in museums and private collections in Russia and abroad. The archive also includes a collection of catalogues and books, which are now available in Garage Library.

<h2>About Leonid Talochkin</h2>

Leonid Talochkin (1936–2002) was an archivist and collector of Soviet nonconformist art. In the early 1960s, he became part of the circle around the Moscow nonconformist artists and started collecting their work. By the mid‑1970s, he had around 600 works in his possession, and devoted all his time to archiving the activities of Moscow nonconformists. To avoid accusations of parasitism (which was illegal), he worked as a concierge, stoker, and night guard.


In 1987, Talochkin began working on exhibiting his collection (Retrospection. Moscow 1957–1987 (1988) and Other Art (1991)). In 1999, he lent his collection of over 2,000 artworks to the Museum Center of the Russian State University for the Humanities in Moscow. It became the core of the Other Art Museum at RSUH, which opened in 2000.

In 2014, Talochkin’s archive was acquired by Garage Museum of Contemporary Art and in 2016 his widow, Tatiana Wendelshtein, transferred his collection from RSUH to the State Tretyakov Gallery.


Leonid Talochkin began to assemble his archive in the early 1960s. It contains several thousand documents, including his personal notebooks and diaries with detailed accounts of contemporary art events in Moscow; manuscripts by underground writers, poets (Genrikh Sapgir, Yuri Mamleev), and artists (Oskar Rabin, Evgeny Kropivnitsky); and correspondence with émigré artists (Mikhail Chernyshov, Vitaly Komar and Alexander Melamid), international specialists in Slavic cultures (Jindřich Chalupecký, John Bowlt), collectors, and representatives of Russian and foreign museums and art institutions. From the 1960s through the 1990s, Talochkin also collected hundreds of photographs, exhibition invitations (including some rare handwritten ones), booklets, postcards, slides, and images of works that are now in museums and private collections in Russia and abroad. The archive also includes a collection of catalogues and books, which are now available in Garage Library.

About Leonid Talochkin

Leonid Talochkin (1936–2002) was an archivist and collector of Soviet nonconformist art. In the early 1960s, he became part of the circle around the Moscow nonconformist artists and started collecting their work. By the mid‑1970s, he had around 600 works in his possession, and devoted all his time to archiving the activities of Moscow nonconformists. To avoid accusations of parasitism (which was illegal), he worked as a concierge, stoker, and night guard.


In 1987, Talochkin began working on exhibiting his collection (Retrospection. Moscow 1957–1987 (1988) and Other Art (1991)). In 1999, he lent his collection of over 2,000 artworks to the Museum Center of the Russian State University for the Humanities in Moscow. It became the core of the Other Art Museum at RSUH, which opened in 2000.

In 2014, Talochkin’s archive was acquired by Garage Museum of Contemporary Art and in 2016 his widow, Tatiana Wendelshtein, transferred his collection from RSUH to the State Tretyakov Gallery.

Leonid Talochkin archive

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Mogilevsky Vladimir

Mentioned

Alexei Shulgin was born in Moscow. He graduated in Cybernetics of Metallurgical Processes from Moscow State Institute of Steel and Alloys. He is the founder of the Immediate Photography Group (1987). Beginning in 1997, he was one of the first people in Russian making Internet art. In 1998, he founded the cyberpunk rock group 386 DX. In 2004, together with Aristarkh Chernyshev, he created the project Electroboutique. Selected solo exhibitions: Televisions, XL Gallery, Moscow (1994); Beauty Inside, XL Gallery, Moscow (2005); Montage, Moscow House of Photography (2002); KRITI‑POP (with Aristarkh Chernyshev), Moscow Museum of Modern Art (2008). Selected group exhibitions: I Believe!, Winzavod Center for Contemporary Art, Moscow (2007); Futurology, Garage Centre for Contemporary Culture, Moscow (2010); 4th Moscow Biennale of Contemporary Art (as part of the group Electroboutique), ARTPLAY Design Center, Moscow (2014). He is a winner of the Kandinsky Prize in the nomination Media Art. Project of the Year (with Aristarkh Chernyshev, 2009).

Shulgin Aleksey

Zlotnikov Yury

Andrei Monastyrsky was born in Petsamo (Pechenga, Murmansk Oblast). He graduated from the Philology Faculty of Moscow State University. He was a founder (1976), theorist, and author of large‑scale actions in the group Collective Actions. He took part in the Biennale of Dissent (Venice, 1977), the 50th (main project, 2003), 52nd (main project, 2007) and 54th Venice Biennale (Russian Pavilion, 2011) and also documenta 12 (Kassel, 2007). He is a recipient of the Andrei Bely Prize for his important contribution to the development of Russian literature (2003) and the Innovation Prize in the nominations Theory, Criticism, Art History (2010) and For Creative Contribution to the Development of Contemporary Art (2015).

Monastyrsky Andrei

Leiderman Yuri

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Moscow, Garage Archive Collection

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Художественный журнал. — 1996, № 10

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