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Перед вами — сборник статей и заметок известного книговеда и редактора. Бoльшая часть печаталась в 1994–2011 годах в журналах и газетах. Каждая из них показывает, почему при непродуманном редакционном оформлении усложняется работа читателя с книгой, и рекомендует такие решения, при которых чтение становится более продуктивным.

Как надо и как не надо делать книги: культура издания в примерах

Open stacks

In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also <a href="/en/catalogue/collection/garage-center-for-contemporary-culture">Archive of Garage Center for Contemporary Culture</a>


In 2012, Garage Center for Contemporary Culture acquired the archive of Art Projects Foundation, which became the core of its own archive collection. In 2014, the Center became Garage Museum of Contemporary Art and its archive became a museum collection. The collection has inherited the structure of the Art Projects Foundation archive and contains documents on Russian contemporary artists and art events, press cuttings, press releases, exhibition booklets, invitations, programs, and posters.


See also Archive of Garage Center for Contemporary Culture

Garage Museum of Contemporary Art archive

1005628175.jpg

Мильчин Аркадий

Author

Moscow

Новое литературное обозрение

Moscow, Garage Archive Collection

Graphic design, 20th and 21st centuries (general)

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Как надо и как не надо делать книги: культура издания в примерах

Details