The 0+ Space will be&nbsp;closed June 15-19.

Please note

7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Family

Stream

Series

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Garage Screen

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Garage Dance

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Garage.txt

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

Contemporary Critical Thought

Directors’ series

The Garage Journal

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Projects Oral History and Oral History 2.0

Visitors in a wheelchair

garage-txt

Open storage

Research Laboratory: I Am a Parcel, You Are a Stamp

VOKS kinema Research Laboratory

Avant-Garde Center Laboratory for the Study of Soviet Art Series

LISI_TsA

Region reviews

Artist reviews

Thematic reviews

Exhibition reviews

Archive in St. Petersburg

8-14

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

Exhibition catalogues

Research

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book Selection

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

Коммерсант Деньги. — 1998, № 7 (161)

Available on request

Leonid Talochkin began to assemble his archive in the early 1960s. It contains several thousand documents, including his personal notebooks and diaries with detailed accounts of contemporary art events in Moscow; manuscripts by underground writers, poets (Genrikh Sapgir, Yuri Mamleev), and artists (Oskar Rabin, Evgeny Kropivnitsky); and correspondence with émigré artists (Mikhail Chernyshov, Vitaly Komar and Alexander Melamid), international specialists in Slavic cultures (Jindřich Chalupecký, John Bowlt), collectors, and representatives of Russian and foreign museums and art institutions. From the 1960s through the 1990s, Talochkin also collected hundreds of photographs, exhibition invitations (including some rare handwritten ones), booklets, postcards, slides, and images of works that are now in museums and private collections in Russia and abroad. The archive also includes a collection of catalogues and books, which are now available in Garage Library.

<h2>About Leonid Talochkin</h2>

Leonid Talochkin (1936–2002) was an archivist and collector of Soviet nonconformist art. In the early 1960s, he became part of the circle around the Moscow nonconformist artists and started collecting their work. By the mid‑1970s, he had around 600 works in his possession, and devoted all his time to archiving the activities of Moscow nonconformists. To avoid accusations of parasitism (which was illegal), he worked as a concierge, stoker, and night guard.


In 1987, Talochkin began working on exhibiting his collection (Retrospection. Moscow 1957–1987 (1988) and Other Art (1991)). In 1999, he lent his collection of over 2,000 artworks to the Museum Center of the Russian State University for the Humanities in Moscow. It became the core of the Other Art Museum at RSUH, which opened in 2000.

In 2014, Talochkin’s archive was acquired by Garage Museum of Contemporary Art and in 2016 his widow, Tatiana Wendelshtein, transferred his collection from RSUH to the State Tretyakov Gallery.


Leonid Talochkin began to assemble his archive in the early 1960s. It contains several thousand documents, including his personal notebooks and diaries with detailed accounts of contemporary art events in Moscow; manuscripts by underground writers, poets (Genrikh Sapgir, Yuri Mamleev), and artists (Oskar Rabin, Evgeny Kropivnitsky); and correspondence with émigré artists (Mikhail Chernyshov, Vitaly Komar and Alexander Melamid), international specialists in Slavic cultures (Jindřich Chalupecký, John Bowlt), collectors, and representatives of Russian and foreign museums and art institutions. From the 1960s through the 1990s, Talochkin also collected hundreds of photographs, exhibition invitations (including some rare handwritten ones), booklets, postcards, slides, and images of works that are now in museums and private collections in Russia and abroad. The archive also includes a collection of catalogues and books, which are now available in Garage Library.

About Leonid Talochkin

Leonid Talochkin (1936–2002) was an archivist and collector of Soviet nonconformist art. In the early 1960s, he became part of the circle around the Moscow nonconformist artists and started collecting their work. By the mid‑1970s, he had around 600 works in his possession, and devoted all his time to archiving the activities of Moscow nonconformists. To avoid accusations of parasitism (which was illegal), he worked as a concierge, stoker, and night guard.


In 1987, Talochkin began working on exhibiting his collection (Retrospection. Moscow 1957–1987 (1988) and Other Art (1991)). In 1999, he lent his collection of over 2,000 artworks to the Museum Center of the Russian State University for the Humanities in Moscow. It became the core of the Other Art Museum at RSUH, which opened in 2000.

In 2014, Talochkin’s archive was acquired by Garage Museum of Contemporary Art and in 2016 his widow, Tatiana Wendelshtein, transferred his collection from RSUH to the State Tretyakov Gallery.

Leonid Talochkin archive

Доход с молотка

Issue

Коммерсант Деньги

Moscow, Garage Archive Collection

Contact&nbsp;Us

Hours

GARAGE Card

Today at Garage

Youtube

Telegram

Mailing list

Subscribe to our mailing list and get the latest news from Garage

Press Mailing List

To join our press mailing list, please include your email address in the field

key:subscription

Film screenings in the Museum auditorium

GARAGE SCREEN

The first public contemporary art library in Russia

Library

Podcast about contemporary non-fiction from the Publishing Department at Garage

Lessons in World Artistic Culture Podcast

Garage Museum of Contemporary Art’s collection was founded in 2024 and includes paintings, drawings, sculpture, video, objects, and installations created by Russian artists since 1980

Коммерсант Деньги. — 1998, № 7 (161)

Details