Published in the GARAGE.txt series in October 2022, Zinaida Bonami’s book explores the life of Herwarth Walden (1879–1941), a leading figure of the early-twentieth-century European avant-garde, founder of the international expressionist movement, publisher of the popular German magazine Der Sturm, and owner of the eponymous art gallery in Berlin.
The first biography of Walden by a Russian author presents his extensive practice aimed at establishing the new art as an early experience of curating.
The presentation features author Zinaida Bonami in conversation with gallery owner Anastasia Shavlokhova and art historian Sergey Khachaturov. They will discuss Walden’s curatorial, publishing, and exhibition activities and the figure of the curator in twentieth-century and present-day cultural history. Herwarth Walden was an implacable fighter for his own ethical and aesthetic principles. In defending the avant-garde movements, he did not try to be objective and politically correct. Does the curator need such an obsessive attitude today, or does it blind them and hinder a complex understanding of the process? Walden had a universal education in all areas of art, including music, theater, and literature, while also being well versed in the economics of the art business. In this regard, an important dilemma arises, one which Walden had to solve in the past and which many independent curators face today: is the person who creates exhibitions and promotes vanguard art primarily a manager and producer or a creator and director?