American Painting: From the Armory Show to the Depression
The 1913 Armory Show and the Great Depression of 1929 changed the course of American art history forever. This study is concerned with the origins, nature and development of modern art movements in USA and their interaction with the already established tradition of realism.
Details
1910s, 1920s, Graphic art, Painting, Art history and art criticism, Caricature, Politics, Regionalism, USA
Benton Thomas Hart, Gropper William, Dehn Adolf, Bacon Peggy, Kantor Morris, Soyer Raphael, Soyer Moses, Hopper Edward, Coleman Glenn, Marsh Reginald, Miller Kenneth Hayes, Burchfield Charles, Young Arthur Henry, Du Bois Guy Pène, Bellows George, Karfiol Bernard, Brook Alexander, Kuniyoshi Yasuo, Pascin Jules, Halpert Samuel, Sterne Maurice, Kuhn Walt, Hartley Marsden, Weber Max, Bluemner Oscar, Kopman Benjamin, Marin John, Maurer Alfred, Dasburg Andrew, McFee Henry Lee, Blume Peter, Dickinson Preston, O'Keeffe Georgia Totto, Strand Paul, Hirsch Stefan, Ault George, Stella Joseph, Lozowick Louis, Spencer Niles, Sheeler Charles, Picabia Francis, Demuth Charles, Duchamp Marcel, Davis Stuart, Dove Arthur Garfield, Ray Man, Cramer Konrad, Bruce Patrick Henry, Russell Morgan, Covert John, Blashfield Edwin Howland, Treidler Adolph, Luks George, MacDonald‑Wright Stanton, Davies Arthur Bowen, Lawson Ernest, Prendergast Maurice Brazil, Walkowitz Abraham, Kroll Leon, Glackens William, Beal Gifford, Kent Rockwell, Higgins Eugene, Myers Jerome, Shinn Everett, Sloan John, Duveneck Frank, Henri Robert
New Jersey
1972
244 pages
9780691003017
Available on request
Yes
Yes
709.4 США
1
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