Curating With Light Luggage
This publication originates from a symposium which was one module of the project Telling Histories: An archive and three case studies. The symposium reflects on historical and actual models of art institutions and organisations that deal with production and circulation of art and ideas in an experimental and flexible way. It takes into consideration the complexity of artistic practises produced since the 60s that can adopt a wide range of variable formats, in many cases focused on strategies that establish relations between different systems or disciplines rather than producing a final visual object. How can these structures exist in places where there is not an established art institution, with an infra‑structure present in regions such as Western Europe or the U.S.? How do you make these platforms possible and effective without making them into something with a permanent or rigid state?
Details
Gillick Liam (Article author), Cuevas Minerva (Article author), Kozłowski Jarosław (Article author), Obrist Hans Ulrich (Article author), Lind Maria (Article author, Preface), Steiner Barbara (Article author), Freire Cristina (Article author), Deliss Clémentine (Article author)
Munich
2003
124 pages
9783937577128
Open stacks
No
Yes
707.41 Lin
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