The new paradigm in architecture. The language of post‑modern architecture

The story of a movement that changed the face of architecture over the last 40 years of the 20th century. Starting with the counter culture of the 1960s and the call for a complex urbanism by Jane Jacobs and a complex architecture by Robert Venturi, it shows how such demands started to be realized by the 1990s in a new and complex architecture aided by computer design. Often curved, warped and fractal in shape, it is more convivial, sensuous and articulate than the modern architecture it challenges. Carried forward by architects such as Frank Gehry, Daniel Libeskind and Peter Eisenman, it has also become a leading approach in many schools and offices around the world. The computer is now at its heart but its history, which Charles Jencks traces, is built on the desire for an architecture that communicates with its users, and one based on the heterogeneity of our cities and global culture. This study was the first to define the broad issues of postmodernism, and led to its growth in other fields such as philosophy and the arts.

Details

Type

Book

Place of publication

New Haven, Connecticut

Year

2002

Number of pages

280 pages

Language

English

ISBN

0300095139

Open stacks or available on request

Available on request

Illustrations

Yes

Bibliography

No

UDC code and author sign

720.2 Jec

Volumes

1

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