Pop Art: a Critical History
Pop Art: A Critical History chronicles one of the most controversial art movements of the century. The anthology draws from a great range of sources, from the leading art magazines and art historical journals to newspapers and news magazines such as the New York Times, Life, and Newsweek. What emerges from this rich cross-section of critical and journalistic commentary is a fascinating view of the tumultuous rise of Pop art and its establishment as a major force in contemporary art. A broad selection of articles traces the emergence of the movement itself in England and America, as seen through the eyes of the working critics of the day. The focus then narrows to present in-depth writings on the four major Pop artists: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, and Andy Warhol, along with an examination of many other artists involved in the movement. From reviews of the very first shows of many of these artists to interviews with them, to news stories about their collectors and their lifestyles, Pop Art: A Critical History represents the most complete and coherent record of Pop art yet published.
Details
Abstract expressionism, Gallery business, History of exhibitions, Criticism, Mass culture, Pop art, Realism, Readymade
Rose Barbara (Article author), Perreault John (Article author), Benchley Peter (Article author), Scull Robert C. (Article author), Cooke Lynne (Article author), Fried Michael (Article author), Russell John (Article author), Selz Peter (Article author), Glaser Bruce (Article author), Rosenblum Robert (Article author), Lippard Lucy R. (Article author), Marmer Nancy (Article author), Rosenberg Harold (Article author), Reichardt Jasia (Article author), Ekbom Torsten (Article author), Greenberg Clement (Article author), O'Hara Frank (Article author), Boime Albert (Article author), Judd Donald (Article author), Hamilton Richard William (Article author), Swenson Gene R. (Article author), Barthes Roland (Article author), Karp Ivan (Article author), Canaday John (Article author), Hughes Robert (Article author), Kozloff Max (Article author), Tillim Sidney (Article author), Coplans John (Article author), Langsner Jules (Article author), Sorrentino Gilbert (Article author), Wilson William H. (Article author), Waldman Diane (Article author), Altshuler Bruce (Article author), Skelton Robin (Article author), O'Doherty Brian (Article author), Danto Arthur (Article author), Hess Thomas B. (Article author), Kostelanetz Richard (Article author), Alloway Lawrence (Article author), Kaprow Allan (Article author), Madoff Steven H. (Preface)
Oldenburg Claes, Wesselmann Tom, Ruscha Ed, Lichtenstein Roy, Alloway Lawrence, Rauschenberg Robert, Indiana Robert, Rosenquist James, Johns Jasper, Warhol Andy, Fahlström Öyvind
Berkeley
1997
420 pages
9780520212435
Available on request
Yes
No
709.043 Pop
1
- Taking the Train: How Graffiti Art Became an Urban Crisis in New York City2001
- The Technique of Kinetic Art1971
- Performance and Phenomenology: Traditions and Transformations2015
- ВНИК: Декабрьские тезисы оТо2009
- Части стен 22018
- The Practice of Public Art2008
- Новые медиа в искусстве2018
- Biomediale: Современное общество и геномная культура2004
- Искусство аутсайдеров: путеводитель2005
- Performance Art: From Futurism to the Present2011
- Public Art: Theory, Practice and Populism2008
- Performance Art: From Futurism to the Present2006