First applied to the poems of Stephane Mallarme and Paul Verlaine in 1886, the term “symbolist” was soon applied to the visual arts where a realistic depiction of the natural world gave way to imaginary dream scenes of psychological, sexual, and mystical content. Symbolism was a broad international phenomenon but particularly present in France, where painters such as Gustave Moreau and Odilon Redon turned their back on realism, naturalism, and impressionism to populate their canvases with esoteric, often erotic, visions. In place of Monet’s light-suffused landscapes or the frank working class subjects of Courbet, the Symbolists turned to figures from literature, the Bible, and Greek mythology to express experiences of love, fear, anguish, death, sexual awakening, and unrequited desire.
Данные книги
Данте Габриэль Россетти, Джеймс Эббот Мак‑Нейл Уистлер, Эдвард Бёрн-Джонс, Ferdinand Hodler, Феликс Валлоттон, Гюстав Моро, Джеймс Энсор, Lord Frederic Leighton, Sascha Schneider, Одилон Редон, George Frampton, Томас Коул, William Degouve de Nuncques, Густав Климт, Elihu Vedder, Giovanni Battista Segantini, Макс Клингер, Fernand Khnopff, Nestor, Поль Гоген, Franz von Stuck, Франтишек Купка, Pierre Cecile Puvis de Chavannes, Пабло Пикассо, Hans von Marees, George Frederic Watts, Jean Delville, Felicien Rops, Maurice Denis, Ernst Abraham Josephson, Arnold Bocklin, Яцек Мальчевский
Кёльн
2016
96 страниц
9783836507066
Открытый доступ
Нет
Нет
709.040 Sym
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