The Intervals of Cinema
Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature's images and philosophy; and film rejects theatre, while also fulfilling theatre's dream. Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.
Данные книги
Итальянский неореализм, Кинематограф, Литература, Театр, Философия, Французская новая волна
Брессон Робер, Хичкок Альфред, Вертов Дзига, Миннелли Винсент, Штрауб Жан‑Мари, Павезе Чезаре, Росселлини Роберто, Юйе Даниэль, Годар Жан‑Люк, Тарр Бела, Кошта Педру
Лондон
2019
154 страницы
9781788736602
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