Referring to the eponymous Woody Allen film in his most recent installation Midnight in Paris, Berlin-based artist Anton Henning (b. 1964) invites visitors on a journey through time exploring the artistic avant-garde of the 1920s and 30s. The full-bleed color catalog from the Zeppelin Museum, Berlin, is designed as a walk-through of the three rooms Henning filled with his paintings, furnishings and lighting as a way of framing an ironic peek into an earlier avant-garde from the present. An introduction and a brief essay by art historian and curator Claudia Emmert introduce the show s concept of art as production/ exhibition as paint- ing and Henning s intention to free looking, seeing, and perceiving from the tunnel vision of isms and artistic trademarks. Henning's installations incorporate his own paintings, sculptures, lighting, three-dimensional objects, wallpaper, carpets and purchased or self-designed furniture to create interior salons.

Данные книги

Ключевые слова

Авангард, Живопись

Редакторы

Эммерт Клаудия

Персоналии

Хеннинг Антон

Место издания

Кёльн

Издательство

Snoeck

Год

2015

Количество страниц

68 страниц

ISBN

9783864421457

Закрытое или открытое хранение

Доступ по запросу

Наличие иллюстраций

Да

Наличие библиографии

Нет

Полочный индекс и авторский знак

709.203 Hen

Количество томов

1

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