Louise Bourgeois’s Cells are intensely psychological microcosms: situated within various enclosures, each is a multi-faceted collection of objects and sculptural forms arranged to evoke an atmosphere of emotional resonance. In almost theatrical scenes, these everyday objects — items of clothing, fabric, or furniture — along with singular sculptures by Bourgeois, create a charged barrier between the interior world of the artist and the exterior world that is the exhibition space.

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