Hailed as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan has created some of the most unforgettable images in contemporary art — most notoriously “The Ninth Hour” (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from popular culture, history and organized religion, Cattelan’s subjects range widely, and his work, while bold and irreverent, is deadly serious in its scathing cultural critiques. The second edition of All updates the catalogue that accompanied the Solomon R. Guggenheim Museum’s 2011–2012 retrospective survey of the artist. For this exhibition, Cattelan sidestepped the totalizing effect of a retrospective by devising a site-specific installation in which his entire oeuvre was suspended from the oculus of the museum’s iconic rotunda. This book offers an equally unique response to the conventions of the catalogue. The volume details almost every work of Cattelan’s from the late ’80s to the present within a double-column page format, featuring full-color reproductions and accompanying entries.

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