The Absolute Bourgeois: Artists and Politics in France, 1848–1851
T. J. Clark's subject is painting and printmaking in the years following the 1848 Revolution in France, “a time”, he argues, “when art and politics could not escape each other.” The book tells the story of a handful of artists trying to take advantage of that unfamiliar and short‑lived situation. Daumier and Millet are central, particularly in their dealings with the new State's art patronage machine; Delacroix figures as painter and diarist, in agonized withdrawal from the possibility of change, haunted by his own Liberty Guiding the People; and Baudelaire is depicted, after a moment of tortured political involvement in the first months of the Republic, as the great poet of postrevolutionary despair.
Данные книги
Графика, Живопись, Искусствознание и арт-критика, Революция, Скульптура, Франция
Делакруа Эжен, Сеген Жерар, Буланже Луи, Домье Оноре, Милле Жан Франсуа, Рюд Франсуа, Лелё Адольф, Гольбейн Младший Ганс, Кавелье Пьер‑Жюль, Деоденк Альфред, Добиньи Шарль‑Франсуа, Бонёр Роза, Прео Огюст, Руссо Теодор, Кутюр Тома, Шенавар Поль, Мюллер Шарль‑Луи, Ландель Шарль, Камбон Арман, Бонвен Франсуа, Этекс Антуан, Жерон Жан‑Леон, Мане Эдуард, Мейсонье Эрнест
Нью-Джерси
1982
224 страницы
978069103981X
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709.4 Фра
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