In Defiance of Painting: Cubism, Futurism, and the Invention of Collage
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth‑century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti‑illusionism, unity, and autonomy of form. This book — the first comprehensive study of collage and its relation to modernism — challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage — and the Futurist multimedia work that was inspired by it — undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Данные книги
Брак Жорж, Грис Хуaн, Боччони Умберто, Северини Джино, Соффичи Арденго, Карра Карло, Пикассо Пабло, Руссо Анри Жюльен Феликс, Кривелли Карло, Аполлинер Гийом, Канджулло Франческо, Балла Джакомо, Шере Жюль, Маринетти Филиппо Томмазо
Нью‑Хейвен, Коннектикут
1992
330 страниц
9780300051094
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