The Collected Essays and Criticism, Volume 4: Modernism with a Vengeance, 1957–1969
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as “The Plight of Our Culture” (1953), “Modernist Painting” (1960), and “Post Painterly Abstraction” (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Данные книги
Абстрактный экспрессионизм, Авангард, Венецианская биеннале, Живопись, Интервью, История выставок, Критика, Модерн, Письма, Скульптура, Фотография
Мане Эдуард, Шагал Марк, Пикассо Пабло, Шапиро Мейер, Готлиб Адольф, Поллок Пол Джексон, Klee Felix, Клайн Франц, Хофманн Ханс, Рид Герберт, Атже Жан Эжен Огюст, Гомбрих Эрнст, Ноланд Кеннет, Lindner Ernest, Смит Дэвид Роланд, Штайхен Эдвард, Truitt Anne, Leino Lily, Avery Milton, Моне Клод, Луис Моррис, Фейнингер Андреас, Клее Пауль, Hess Thomas B., Каро Энтони, Ньюман Барнетт, Матисс Анри, Козлофф Макс, Люси‑Смит Эдвард, Мондриан Пит, Голдуотер Роберт, Олицки Джулс, Тёрнер Джозеф Мэллорд Уильям
Чикаго, Иллинойс
1995
358 страниц
9780226306247
Доступ по запросу
Нет
Да
701.2 Gre
1
- Spiritual Art and Art Education2014
- The Destruction of Art: Iconoclasm and Vandalism Since the French Revolution1997
- The Optical Unconscious1998
- Краткая история «нового» в российском дискурсе об искусстве2022
- Чтение белой стены2011
- Bachelors2000
- The Field of Cultural Production. Essays on Art and Literature1993
- The Future of the Image2019
- 13 Paintings Children Should Know2014
- Феномен открытой формы в искусстве ХХ века2012
- Избранные искусствоведческие труды2000
- The Oxford Handbook of Creative Industries2015