Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical “this is beautiful” with “this is art.” De Duve employs this shift (replacing the word “beauty” by the word “art”) in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.

Данные книги

Ключевые слова

Дадаизм, Реди‑мейд

Место издания

Кембридж

Издательство

MIT Press

Год

1998

Количество страниц

484 страницы

ISBN

9780262540940

Закрытое или открытое хранение

Доступ по запросу

Наличие иллюстраций

Да

Наличие библиографии

Нет

Полочный индекс и авторский знак

701.2 Duv

Количество томов

1

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