Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned “Art and Objecthood”. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism.

Данные книги

Место издания

Чикаго, Иллинойс

Издательство

The University of Chicago Press

Год

1998

Количество страниц

334 страницы

ISBN

9780226263199

Закрытое или открытое хранение

Доступ по запросу

Наличие иллюстраций

Нет

Наличие библиографии

Да

Полочный индекс и авторский знак

701.2 Fri

Количество томов

1

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