The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context.

Данные книги

Редакторы

Бишоп Клэр

Место издания

Лондон

Издательство

MIT Press, Whitechapel Gallery

Год

2006

Количество страниц

208 страниц

ISBN

9780262524643

Закрытое или открытое хранение

Доступ по запросу

Наличие иллюстраций

Да

Наличие библиографии

Да

Полочный индекс и авторский знак

701.1 Bis

Количество томов

1

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