The Art‑architecture Complex
Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a 'global style' of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the 'international style' of Le Corbusier, Gropius and Mies — a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that 'the art‑architecture complex' is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate.
Данные книги
Минимализм, Видеоарт, Объекты, Архитектура, Перформанс, Скульптура, Инсталляция, Музейное дело, Модерн
Виола Билл, Смит Дэвид Роланд, Флавин Дэн, Ирвин Роберт, Фостер Норман, Пиано Ренцо, Роджерс Ричард, Серра Ричард, Гропиус Вальтер, Мис ван дер Роэ Людвиг, Джадд Дональд, Ле Корбюзье
Лондон
2013
302 страницы
9781781681046
Открытый доступ
Да
Нет
701.2 Fos
1
- Spiritual Art and Art Education2014
- The Destruction of Art: Iconoclasm and Vandalism Since the French Revolution1997
- The Optical Unconscious1998
- Краткая история «нового» в российском дискурсе об искусстве2022
- Чтение белой стены2011
- Bachelors2000
- The Field of Cultural Production. Essays on Art and Literature1993
- The Future of the Image2019
- 13 Paintings Children Should Know2014
- Феномен открытой формы в искусстве ХХ века2012
- Коробка с карандашами: тексты, рисунки, дизайн. Медиа искусства2021
- Избранные искусствоведческие труды2000