The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.

Данные книги

Фонд

Фонд Музея современного искусства «Гараж»

Место издания

Лондон

Издательство

MIT Press, Whitechapel Gallery

Год

2007

Количество страниц

222 страницы

ISBN

9780262532884

Закрытое или открытое хранение

Открытый доступ

Наличие иллюстраций

Да

Наличие библиографии

Да

Полочный индекс и авторский знак

701.1 Cam

Количество томов

1

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