Beat Culture and the New America: 1950–1965
This book analyzes beat culture from a historical viewpoint, showing its growth in the Cold War as an expression of alienation on one hand and utter artistic joy on the other. It also charts the rise of a postwar African American intellectual movement whose influence remains strong; examines the effect of beat sensibilities on the hippies who followed a decade later, and on youth culture generally; and traces the path of beat ideas in the arts, especially film.
Данные книги
Black Studies, Графика, Живопись, Кинематограф, Литература, Поэзия, США, Субкультура
Phillips Lisa (Автор вступительной статьи), Berger Maurice (Автор статьи), Damon Maria (Автор статьи), Saloy Mona Lisa (Автор статьи), O'Brien Glenn (Автор статьи), Carney Ray (Автор статьи), Hanhardt John G. (Автор статьи), Watson Steven (Автор статьи), Solnit Rebecca (Автор статьи), Sanders Edward Parrish (Автор статьи), Ginsberg Allen Irwin (Автор статьи)
Conner Bruce, Schneemann Carolee, Gysin Brion, Johnson Ray, Chamberlain John Angus, Thompson Bob, Beck Julian, Kaprow Allan, Berman Wallace, Bischoff Elmer, DeFeo Jay, Brown Joan, Perkoff Stuart, Herms George, Kienholz Edward, Talbert Ben, McClure Michael, Jess Collins, Mason Fred, Ferlinghetti Lawrence, Stockwell Dean, Hedrick Wally Bill, LaVigne Robert, Dine Jim, Rauschenberg Robert, Rivers Larry, Burroughs William Seward, Kerouac Jack, Kline Franz, Snyder Gary, Oldenburg Claes, Corso Gregory
Париж
1995
280 страниц
9780874270987
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705.1 1995
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