The conductor Teodor Currentzis has shaken up the operatic world with a series of Mozart recordings made with the Orchestra and Chorus of the Perm Opera and Ballet Theatre, way out on the eastern edge of European Russia. For several reasons, this version of Don Giovanni, the last in Currentzis' series of Mozart's da Ponte operas, may be a good place to start. It's not that Currentzis is any less radical here; it's just that Don Giovanni is by nature a radical work itself, so a radical treatment is less surprising. Too, the tempo decisions here are less unorthodox than those in Le Nozze di Figaro and Così fan tutte. Even Currentzis' detractors can't make the claim that his provincial Russian musicians aren't drilled to a really remarkable level of precision, and here they're deployed in colorful turns that generally hit the mark.

Данные книги

Темы

Музыка

Ключевые слова

Балет, Музыка

Место издания

Гютерсло

Издательство

Sony Music Entertainment

Год

2016

Количество страниц

254 страницы

Закрытое или открытое хранение

Открытый доступ

Наличие иллюстраций

Нет

Наличие библиографии

Нет

Полочный индекс и авторский знак

780 Cur

Количество томов

1

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