Nikita Alexeev

1953, Moscow— 2021, Moscow

35.552 Starlings over Rome.

2020

Ink on paper, 56.5×76.5 cm

17.776 Starlings over Rome.

2020

Ink on paper, 56.5×76.5 cm

8.888 Starlings over Rome.

2020

Ink on paper, 56.5×76.5 cm

4.444 Starlings over Rome.

2020

Ink on paper, 56.5×76.5 cm

Waisting 2 Seconds.
2021

Ink on paper, 76.5×56.5 cm

Waisting 5.400 Seconds.
2021

Ink on paper, 76.5×56.5 cm

Courtesy of the artist’s heirs

In the 1980s, Nikita Alexeev began to work with a motif that he ironically called “сrosses.” It is based on a seemingly simple device: he slowly and meticulously filled the surface of thick paper with circles and checkmarks, calculated them in his head and writing the number in the corner. At times swarms of signs created compositions, while some sheets were left almost blank.

Starlings Over Rome was made after Alexeev’s journey to Rome in 2004, where he witnessed a natural wonder. Twice a year, loud flocks of starlings cover the Eternal City, at times completely obscuring the sky. It is “starlings” that fill and then leave the surface of Alexeev’s quadriptych, which was inspired by this phenomenon, once described by Nikolai Gogol. In the second series of work from the Crosses cycle—Waisting 2 Seconds and Waisting 5.400 Seconds—the artist makes ironic reference to the drawing technique on which the work is based as a pointless activity while also underlining its dramatic nature, that in essence it shortens life.

Alexeev explained that meditative practices like his slow, calming drawing with a technical pen on a blank sheet were processes comparable to thinking and searching for new ideas. But, like a journey, new thoughts take time: the exchange of time for thoughts is what forms the fabric of the life of the artist. Life consists of a particular number of moments, which decreases with every breath and step, just like the number of noisy birds decreases from sheet to sheet. The work, however, hints that even when the flock disappears beyond the horizon, it is not gone forever but will return in accordance with the cycle of nature.

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