Midnight to the Boom: Painting in India after Independence
Following independence in 1947, India's artists faced a particular challenge: how to express the new nations distinctive character while entering a global discourse focused on modernisms universal premises of experimentation and shared human values. In the absence of a dominant aesthetic, painters could turn where they wished and blend as they liked from Abstract Expressionism to Tantric spiritualism; from Rajasthani painting to changes in India's complex politics, religions, castes and daily life. This richly illustrated, in-depth study, published to accompany the exhibition organized by the Peabody Essex Museum in the USA, surveys the three generations of artists responsible for these critical shifts in the development of India's modernist art. It shows how their achievements and the countries unprecedented boom ushered India's modern and contemporary art into a new era of globalism, a soaring international market, and an explosion in the media and technologies of art.
Данные книги
Хартиган Линда Роско (Автор вступительной статьи), Monroe Dan L. (Автор вступительной статьи), Бхабха Хоми (Автор статьи), Bean Susan S. (Автор статьи), Citron Beth (Автор статьи), Sinha Ajay (Автор статьи), Zitzewitz Karin (Автор статьи), Brown Rebecca M. (Автор статьи)
Patwardhan Sudhir, De Biren, Goud Kalal Laxma, Chowdhury Jogen, Dodia Atul, Bhattacharjee Bikash, Pyne Ganesh, Broota Rameshwar, Мохамеди Насрин, Кхакхар Бхупен, Mehta Tyeb, Малани Налини, Santosh Gulam Rasool, Patel Gieve, Хусейн Макбул Фида, Rodwittiya Rekha, Раза Сайед Хайдер, Sheikh Gulammohammed, Субраманьян К. Г., Бава Манджит, Kumar Ram, Singh Arpita, Калека Ранбир
Лондон
2013
228 страниц
9780500238936
Открытый доступ
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709.4 Инд
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