7-9 years 

10-14 years 

15-17 years 

0-6 years 

Architecture

Photo

Journalism

Psychology

Music

Books in English

Family

Garage Dance

Garage.txt

Garage Screen

Stream

Contemporary Critical Thought

Directors’ series

The Garage Journal

Exhibition catalogues

Research

Children's books

Garage + Ad Marginem

Seminars, Workshops and Training

Lectures & Talks

Concerts & Performances

Film Screenings

Exhibitions

Courses

Tours

Concerts & performances

Conferences

Exhibitions & projects

News

Interview

Talks

Lecture cycles

Conferences and seminars

Book presentations

Art Guide

Garage publishing program

Sponsors, patrons, and partners

Information partners

Garage publishing program in collaboration with Artguide Editions

Garage International Publishing Program

Library events

Books in english

Russian

English

Bilingual (russian/english)

Film programs

GARAGE Club

Programs for exhibitions

Events

Garage Live

Academic program

Grants

Field research

Patronship

Garage Studios

Mosaic Music

GARAGE Student

Film festival

Film distribution

Sign language

Mental disabilities

Migration

Audio description

Tactile models

Accessibility guide

Physical accessibility

GARAGE Individual

Digital accessibility

Diversity

Events at Garage

Garage publishing program and Strelka Press 

Text

Audio

Video

Feature

Guide

GARAGE Individual +1

Research laboratories

Artistic research

Translation to russian sign language

Subtitles

Adapted tours

Quiet room

Translation to uzbek, tajik, and kyrgyz

GARAGE Premium

“We Treasure Our Lucid Dreams”

Space 1520

GARAGE Circle

Temporality

Disability

Affect

Overcoming

Body

Timelessness

Non-normative body

GARAGE Collectors Circle  

Experience of the other

Otherness

Developmental disabilities

Mental health

Trauma

Personal experience

Neural networks

Language

7-11 years

Plain language

Garage Café

The computer class schedule

Mediation

Oleg Baranov Going Down

Podcasts

Shelf of the Month. Theatrе

Publishing program page

Series of meetings with residents

Open call

Shelf of the Month. Cinema

Shelf of the Month. Modern Dance

Visitors in a wheelchair

Public programs

Free

Registration required

Free for exhibition ticket holders

Paid

Booking required

Booking via phone or email is required

Booking on reception is required

Off-site projects

Architecture and design

Supervision

Museology

Philosophy

Economy

Cinematography

Critical biography

Memoirs and diaries

For Garage card holders

For children

GARAGE + Ad Marginem

GARAGE PRO

Minima

Paperback

Hardcover

Hardcover with dust jacket

Book review

Professional programs

Video review

Garage publishing program in collaboration with Ad Marginem Press

Garage publishing program in collaboration with Ad Marginem Press. GARAGE PRO Series

Garage publishing program in collaboration with Ad Marginem Press. Minima Series

City tours

Exhibition tours

Seminars, workshops & training

Lectures & talks

This catalog was published on the ocсasion to the exhibition “Dominika Olszowy. Happy End” which was held from June 6 to August 22, 2019 at Arsenal Gallery, Bialystok.

Dominika Olszowy. Happy End

Galeria Arsenal

This catalog was published on the ocсasion to the exhibition “Mykola Rydnyi. Wilk w worku/ Wolf in a Sack” which was held from August 29 to October 6, 2019 at Arsenal Gallery, Bialystok.

Mykola Rydnyi. Wilk w worku/ Wolf in a Sack

This catalog was published on the ocсasion to the exhibition “Vlada Ralko. Widmo wolności. Wersja/ The Phantom of Liberty. Version” which was held from August 29 to October 10, 2019 at Arsenal Gallery, Bialystok.

Vlada Ralko. Widmo wolności. Wersja/ The Phantom of Liberty. Version

“When faced with a choice between the truth of life and its representation developed against the backdrop of art, the third way out — the paradoxical half-truth of post-conceptual art — seems to be the preferred one: such in any case is the position taken by Pravdoliub Ivanov. One of the best internationally recognisable contemporary Bulgarian artists, he creates works which might well be referred to as subtle re-configurations of reality. Pursuing paths pointed to by the artist, we rarely leave the territory of daily life. Here everything seems familiar: we are surrounded with regular objects, everyday use appliances, fragments of current political discourses, and memories from times preceding the pulling back of the Iron Curtain. A post-transformation landscape lays itself out before our eyes; we live in post-communist Europe, a globalised world, neo-liberal order — in other words, we feel at home. As it were, this does not necessarily mean that we feel particularly good: we sense that other people have it somewhat easier”. S. Szablowski.

Pravdoliub Ivanov. The Life of Others is Somehow Easier/ Pravdoliub Ivanov. Innym żyje się jakoś łatwiej

The theme of the It Is As You Think It Is exhibition is an attempt to find a new perspective on the incompatibility of our notions about reality with reality itself. We think of reality as something objective, independent from us, as something that is present, takes place around us, as something in which we participate and try to change — but which generally surpasses us, is above us. At the same time, the fact that we perceive reality subjectively and interpret it means that it is not a coherent, objective value. When we confront our observations between ourselves, we can perceive how different they are. Even when we look at simple, obvious objects, we see them in a personalized way, let alone complex phenomena and processes and our “understanding of the world”. This diversity of perception is fascinating and enriching in and of itself, but it also complicates life and makes it impossible to reach an understanding. Art can be an instrument of communication, but let us accept that it is a very imprecise instrument. When attempting to explain reality, art often makes its picture even more ambiguous. The works presented at the artists’ exhibition are often not what they seem. Some pretend to be simple objects yet contain complex narratives; others communicate simple messages while depicting complicated processes. Sometimes they are based on philosophical or scientific concepts, other times they are born from simple intuitions — but all of them concern our interpretation of reality and the subtle boundary between reality itself and our imagining of it.

Jest tak, jak sie Panstwu wydaje/ All is as You Think It Is

The idea for the exhibition “Detsky sen” originated from a fascination with childhood. Childhood (especially the first years of life) is the period when the young human being learns the fastest; the brain is the most open and ready to absorb the largest amount of data. This results from the fact that a child’s brain is very plastic and can be formed very easily.

Detsky sen/ Childhood Dream

This catalog was published on the ocсasion to the exhibition “Sergey Shabohin. Praktyki podporządkowania/ Practices of Subordination”, which was held from September 2 to October 30, 2016 at Galeria Arsenal, Bialystok.

Sergey Shabohin. Praktyki podporządkowania/ Practices of Subordination

This catalog was published on the occasion to the exhibition “Nasze ciaio narodowe/ Наше нацiональне тiло/ Our National Body”, which was held from 1 to 22 August, 2016 at Galeria Arsenal, Bialystok.

Nasze ciało narodowe/ Наше нацiональне тiло/ Our National Body

This catalog was published on the occasion to the exhibition “Zofia Gramz: Who Needs This”, that was held at Galeria Arsenal, Bialystok, 29.01-03.03.2016.

Zofia Gramz: Po co to komu/ Zofia Gramz: Who Needs This

Catalog is dedicated to the exhibition “Love on the Edge”, which explores expressions of love as an ailing force amid social, political, and personal conflict. Passion and determination empowered women across Eastern Europe to overcome situations of loss, rape, war, displacement, identity, and homelessness through agency, communal exchange, responsibility, hospitality, redemption, as they highlight the hidden details or in-between-ness of broader social, cultural and political turmoil. In this context, “Love” can have many shapes, and alludes to the experience of being on the edge: the edge between desire and desperation, exhilaration and angst, passion and destruction, life and death. The artworks to be shown at this exhibition can also be perceived as social documents as artists are witnesses or mediators of the conflicts their works address, showing not a timeline, but a variety of dialogues in diverse locations within the last five decades. Another important intention of the exhibition is to blur the social and geopolitical distinctions between ethnic, racial, cultural, and national identities, while accentuating local and global as dialogical and interactive.

Miłość na skraju przepaści/ Love on th Edge

The Polish-Turkish exhibition “The Oxymoron of Normality” took place in DEPO (Istanbul, Turkey) from October 17 until November 30, 2014. The exhibition was organized by the Arsenal Gallery (Bialystok, Poland) in the framework of the cultural program of the 600th anniversary of the Polish-Turkish diplomatic relations in 2014. The exhibition covered the condition of countries in the area of ​Central and Eastern Europe and the Balkans and it was accompanied by a panel discussion involving artists and curators.

The Oxymoron of Normality. We are Europeans, but Perhaps not in a Full Sense/ Normallik Oksimoronu. Avrupalıyız, ama belki de kelimenin tam anlamıyla değil/ Oksymoron Normalności. Jesteśmy Europejczykami, ale jednak być może nie w pełnym tego słowa znaczeniu

This catalog was published on the ocсasion to the exhibition “Pozbawienie/ Deprivation”, which was held at Galeria Arsenal, Bialystok, from August 29 to November 6, 2014.

Pozbawienie/ Deprivation

(Timur Novikov,Denis Egelsky,Oleg Maslov,Viktor Kusnetsov, Georgy Guryanov, Andrei Khlobystin,Vladislav Mamyshev-Monroe New Academy of Fine Arts

Library catalogue

Marked filters

Library catalogue

Filters

Language

Sort by

Storage location

Marked filters